Legald has been ambitious in his design of Form and in this has challenged the traditional type of construction seen in a chair.The goal was to create a chair with a cohesive and unified look as well as a natural integration between seat and base. In order to achieve this, Normann Copenhagen has developed an innovative and sleek mounting solution consisting of four moulded plastic connectors, which fit perfectly to the seat of the shell. This almost makes it appear as though the legs are growing out of the seat.

Form is a fresh and at the same time sophisticated design with both familiar and new expressions. At the same time, the series is a tribute to form itself.

Legald has been ambitious in his design of Form and in this has challenged the traditional type of construction seen in a chair.The goal was to create a chair with a cohesive and unified look as well as a natural integration between seat and base. In order to achieve this, Normann Copenhagen has developed an innovative and sleek mounting solution consisting of four moulded plastic connectors, which fit perfectly to the seat of the shell. This almost makes it appear as though the legs are growing out of the seat.

Form is a fresh and at the same time sophisticated design with both familiar and new expressions. At the same time, the series is a tribute to form itself.

Despite the chair’s almost postmodern design, it was actually manufactured as far back as 1947.

However, its consciously modern lines are not merely a matter of looks. Rather, the sweeping back with its extravagantly shaped sticks are a feat of ergonomic aesthetics. The flat part of the sticks, which gives it its peacock-like appearance, are placed where the shoulder-blades meet the chair’s back.